In an era that increasingly values secrecy over transparency, the case of Julian Assange and WikiLeaks stands as a glaring indictment of governmental behavior. Once a symbol of whistleblowing courage, WikiLeaks has not published anything new for over five years, signaling a significant setback in the battle for openness. Documentarian Eugene Jarecki, at the Cannes
Entertainment
In a groundbreaking move, Justin Ducharme’s debut feature film, “Seventeen,” embarks on a profound exploration of the lives of three Indigenous sex workers navigating the streets of Vancouver. This cinematic endeavor isn’t merely an entertainment piece; it’s a thoughtful examination of cultural identity, resilience, and the complexities of survival in a world that often marginalizes
Lindsay Lohan’s return to the entertainment industry has taken a curious bend—while her recent romantic comedies on Netflix have reignited her star power, the actress’s ambitions stretch far beyond this feel-good niche. In a candid discussion with Chloe Fineman for Elle, Lohan revealed her feelings toward an industry that often places artists in predetermined boxes.
The entertainment industry bids farewell to Ed Gale, a once-celebrated actor known for his memorable portrayals in films like *Child’s Play* and *Howard the Duck*. His passing at 61 has sparked an array of emotions, an unexpected juxtaposition of nostalgia and horror. While it’s common for fans to reflect fondly on the works of departed
In the glitzy realm of Hollywood, few partnerships shine as brightly as that of Tom Cruise and Christopher McQuarrie. Their collaborative synergy is nothing short of remarkable, and recent updates regarding their future projects only confirm this relentless creative energy. With the sequel to the iconic *Top Gun: Maverick* already in development, one can’t help
The announcement of Netflix’s acquisition of Richard Linklater’s homage to French New Wave cinema, “Nouvelle Vague,” for a hefty $4 million underscores a significant moment in the film industry. This deal not only establishes a new pace for the domestic market for foreign-language films but also illustrates the cultural bitcoin that is foreign cinema in
The world of entertainment is often a bittersweet stage, showcasing both brilliance and inevitability. Recently, Dick Van Dyke, a pillar of comedy and longevity, unveiled a heart-wrenching revelation: he and the beloved Ed Asner were in discussions to revive the comedic classic *The Odd Couple* before Asner’s untimely passing in 2021. This missed collaboration reflects
Ethan Coen’s latest endeavor, “Honey Don’t!”, emerges as both an intriguing oddity and a testament to the filmmaker’s sharper instincts for dark comedy. In a Cannes screening that felt as atmospheric as the film itself, Coen captivated a late-night audience with his signature blend of absurdity and charisma. The movie, running a crisp 90 minutes,
In the realm of cinema, the source material often dictates the success of the adaptation. “The Idiots,” the latest ambitious project by the Polish duo Małgorzata Szumowska and Michał Englert, aims to breathe new life into Andrew D. Kaufman’s “The Gambler Wife: A True Story of Love, Risk, and the Woman Who Saved Dostoyevsky.” This
The prospect of an impending collaboration between the Fanning sisters, Elle and Dakota, stirs a mix of excitement and nostalgia in the hearts of fans. During a recent press event at the esteemed Cannes Film Festival, Elle casually mentioned that they have plans to work together again. Their joint appearances in timeless pieces such as