Entertainment

In an era where patriotism often borders on superficial sentimentality, Angelina Jolie’s candid admission about her disconnection from her country is both provocative and necessary. Her statement, “I love my country, but I don’t recognize it,” exposes a troubling divergence between national ideals and tangible realities. While she conveys genuine affection for her homeland, her
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In this era of relentless celebrity worship and media hyperbole, biopics have become modern folklore—mythmaking tools that amplify certain narratives while glossing over nuanced truths. Whitney Wolfe Herd’s discomfort with the upcoming Hulu film “Swiped” exemplifies a broader cultural tension: how society romanticizes and commercializes female empowerment and entrepreneurship. Herd’s decision to distance herself from
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In the current landscape of filmmaking, there is a troubling tendency to cling to the superficial veneer of sophistication, masking what often amounts to polished commercialism. Films like the upcoming *Gentle Monster*—featuring a star-studded cast including Léa Seydoux and a celebrated director like Marie Kreutzer—are often heralded as profound artistic statements. Yet, beneath the captivating
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In recent years, Korean culture has experienced what some might call an extraordinary global conquest—from K-Pop sensations to critically acclaimed films like *Parasite*. However, this meteoric rise is a double-edged sword. While the international appetite for Korean art suggests a desire for diversity and fresh creativity, it often risks reducing complex cultural narratives into commercialized
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In a time where technological innovation is heralded as the ultimate panacea for entertainment’s future, it’s imperative to scrutinize whether this relentless pursuit of novelty genuinely serves the audience or merely distracts from a more meaningful cultural experience. The upcoming Infinity Festival exemplifies this trend—focused on cutting-edge collaborations between entertainment and tech giants, from KPop
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While the entertainment industry often caters to superficial escapism, there are rare films that compel audiences to confront uncomfortable truths about society’s most stigmatized segments. “Modern Whore” emerges as such a piece, daring to peel back the veneer of societal complacency that often surrounds sex work. This documentary, rooted in the brave memoir of Andrea
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Adam McKay’s journey through Hollywood’s glittering corridors has been marked by a relentless desire to shake up the status quo. Through his indie spirit and sharp storytelling, McKay transformed from a comedic writer to an influential filmmaker whose work resonates on a broader socio-political level. His recent successes—*Don’t Look Up*, *Vice,* and *The Big Short*—are
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For decades, the story of Black activism and civil rights has predominantly centered around iconic cities like Atlanta, Montgomery, New York, and Oakland. These urban centers symbolize powerful moments when collective action challenged systemic racism and reshaped societal norms. However, this narrow lens neglects a critical chapter—Montreal’s lesser-known but profoundly significant contribution to the broader
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